His final word was "Basie". Net Worth in 2022. Learn more about merges. You've already signed up for some newsletters, but you haven't confirmed your address. Nicknamed Mr. B, the dashing singer had a voice that was described as a "suave bass-baritone" and a stage presence that, for a time at least, rivaled Frank Sinatra's. By 1949, Eckstine was a genuine pop sensationthe New York Times reported that If you notice a problem with the translation, please send a message to [emailprotected] and include a link to the page and details about the problem. Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big-band, then as the first romantic black male in popular . And despite the . Use Escape keyboard button or the Close button to close the carousel. Marylynne is a feature writer who has more fun looking at old Pittsburgh newspaper images than the law allows. . . In 1986, he was honored at Heinz Heinz during a local jazz festival. For the rest of his life Eckstine would draw on songs written during this initial period of his career, but there was one genre that he did not care for and would be ceaselessly identified with on the strength of a few hits-the blues. 10. 'When he was forced to break up the band Eckstine returned to his career as a solo singer and by the end of the Forties had become the most popular vocalist in the United States. He changed the spelling to Eckstine after a club owner said the original spelling was "too Jewish".Eckstine was a style leader and noted sharp dresser. He married his first wife June in 1942. Born in Pittsburgh on July 8, 1914, William Clarence Eckstein grew up in Washington, D.C. Eckstein attended Armstrong High School, St. Paul Normal and Industrial School, and Howard University. During the late 30s, Eckstine who had come to Chicago got hired by Earl Hines to join his Grand Terrace Orchestra in 1939. Eckstine was a pallbearer at Davis' funeral in 1990. After working his way west to Chicago, Eckstine joined Earl Hines Grand Terrace Orchestra in 1939, staying with the band as vocalist and, occasionally, trumpeter, until 1943. Billy Eckstine. B.". After a few years of touring with road-hardened be-boppers, Eckstine became a solo performer in 1947, and seamlessly made the transition to string-filled balladry. It was the first major big band to be influenced by the emerging musical style called bebop. All photos uploaded successfully, click on the Done button to see the photos in the gallery. Eckstine with daughter Gina Eckstine in 1979. Went the Strings of My Heart, Oop Bop Sh'bam (Alternate Version) and more. Oops, we were unable to send the email. There was a problem getting your location. Our attack was strong, and we were playing bebop, the modern style. (Ross Catanza/The Pittsburgh Press), Historical marker at the Eckstine home in Highland Park was unveiled in 1994. Biographie. cemeteries found within kilometers of your location will be saved to your photo volunteer list. After recording sparingly during the 1970s for Al Bells, Stax/Enterprise imprint, Eckstine (although still performing to adoring audiences throughout the world), made his last recording, the Grammy-nominated Billy Eckstine Sings with Benny Carter in 1986. A handsome fashion plate (he sported a jacket hung over his shoulders and a rolled shirt collar), Eckstine emerged as one of the first African American male sex symbols. Yet they proved to be a mixed blessing, for Eckstine did quite well with them commercially. Tracks list Tracklist: CD1 1950 (00:59:43) 01. In his early days he used his vocal success to subsidise his big band and it was always a pleasure to see one of his records in the Top Ten, even when the songs were, to the jazz listener, turkeys like 'I Apologise' and 'I Wanna Be Loved'. Far more successful than his band recordings, these prefigured Eckstines future career. Set where you live, what language you speak, and the currency you use. He also led a modernist big band that's become legendary as an incubator for the revolutionary bebop movement of the 1940s. He designed and patented a high roll collar that formed a B over a Windsor-knotted tie, which became known as a Mr. The Billy Eckstine Orchestra was the first bop big-band, and its leader reflected bop innovations by stretching his vocal harmonics into his normal ballads. Corrections? Many sellers on Etsy offer personalized, made-to-order items. In 1984, Eckstine recorded his final album, I Am A Singer, featuring beautiful ballads arranged and conducted by . He worked opposite Dizzy Gillespie's small bebop band at the Yacht Club on 52nd Street, in New York, and when the club closed in 1944 Eckstine formed his own big band, which was to last until 1947. [13] The photograph was considered so controversial that an editor at Life sought personal approval from Henry Luce, the magazine's publisher, who said it should be published. He was one of the very first African American matinee idols, singing first with Earl "Fatha" Hines orchestra, then veering off with his own band. Eckstine left the Hines orchestra in 1943 and formed his own big band, one that would become critically renowned as an incubator for the new jazz that was evolving in the mid-1940s called bebop. Eckstine helped revolutionize jazz in the 1940s. Other notables who attended there include the artist Romare Bearden, Gene Kelly, pianist Dodo Marmarosa and Lorin Maazel. Alternate titles: William Clarence Eckstein, This article was most recently revised and updated by, https://www.britannica.com/biography/Billy-Eckstine, All About Jazz - Biography of Billy Eckstine, Billy Eckstine - Student Encyclopedia (Ages 11 and up). We, the whole music profession, were so happy to see him achieve what he was doing. Add to your scrapbook. Billy Eckstine with The Lee Gordon Singers - Orchestra conducted by Nelson Riddle: 1953: Broadway Bell-Hops: Days of Wine and Roses: Billy Eckstine: January 1964 [Unknown Studio Artists] Dedicated to You: Billy Eckstine and Sarah Vaughan - Orchestra conducted by Joe Lipman: May 1950: Andy Kirk and His Clouds of Joy - Vocal Chorus by Pha Terrell . Before that, he had a tremendous followingand it just . In 1946 Eckstine starred as the hero in the musical film Rhythm in a Riff, which also starred Ann Baker and Lucky Millinder.[10][11]. However, unlike Nat King Cole (who followed him into the pop charts), Eckstines singing, especially his exaggerated vibrato, sounded increasingly mannered and he was unable to sustain his recording success throughout the decade. Eckstine was 11 when he first sang at a church bazaar. Starting at $30.09. The legendary Billy Eckstine big band proved to be commercially unsustainable-years later Eckstine jokingly used an epithet to describe how his orchestra had nearly starved him. Turning off the personalized advertising setting wont stop you from seeing Etsy ads or impact Etsy's own personalization technologies, but it may make the ads you see less relevant or more repetitive. Billy Eckstine continued performing for the rest of his life, though his recording activities ceased after stints with Motown and other labels in the 1960s and 70s, an era that produced few memorable tracks. Tracks WordPress Theme by Compete Themes. To view a photo in more detail or edit captions for photos you added, click the photo to open the photo viewer. $13.50, $15.00 [4] By that time, Eckstine had begun to make a name for himself through the Hines band's juke-box hits, such as "Stormy Monday Blues", and his own "Jelly, Jelly". [4] Even before folding his band, Eckstine had recorded solo to support it, scoring two million-sellers in 1945 with "Cottage for Sale" and a revival of "Prisoner of Love". He recorded several albums for Mercury and Roulette during the early 1960s, and he appeared on Motown for a few standards albums during the mid to late 1960s. Tall, handsome and blessed with a velvety baritone voice that seduced jazz lovers everywhere, Billy Eckstine left his mark on music as a band leader, mentor, entertainer and singer. This will differ depending on what options are available for the item. Great! In 1944 Eckstine formed his own band, which in its three-year existence gave strong impetus to the new bebop style by featuring the talents of Miles Davis, Fats Navarro, Gene Ammons, Dexter Gordon, Tadd Dameron, Art Blakey, Dizzy Gillespie, Charlie Parker as well as arrangers Tadd Dameron and Gil Fuller. Drag images here or select from your computer for Billy Mr. Eckstine attended Peabody High School in Pittsburgh. . Your account has been locked for 30 minutes due to too many failed sign in attempts. Billy Eckstine (8 July 1914 - 8 March 1993), born in Pittsburgh, Pennsylvania as William Clarence Eckstine. William Clarence "Billy" Eckstine (July 8, 1914 - March 8, 1993) was an American singer of ballads and bandleader of the swing era. He had worked with both Charlie Parker and Dizzy Gillespie in the undocumented final few months of his time with Earl Hines, and he wanted his band to have an adventurous sound. Articles from Britannica Encyclopedias for elementary and high school students. There was a problem subscribing you to this newsletter. In 1984, Eckstine recorded his penultimate album, I Am a Singer, arranged and conducted by Angelo DiPippo and featuring Toots Thielemans on harmonica. After working his way west to Chicago during the late '30s, Eckstine was hired by Earl Hines to join his . Far more successful than his band recordings, these prefigured Eckstine's future career. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic . Billy Eckstine (8 July 1914 - 8 March 1993), born in Pittsburgh, Pennsylvania, USA as William Clarence Eckstein. A system error has occurred. While enjoying success in the middle-of-the-road and pop fields, Eckstine occasionally returned to his jazz roots, recording with Vaughan, Count Basie and Quincy Jones for separate LPs, and he regularly topped the Metronome and Down Beat polls in the Top Male Vocalist category: He won Esquire magazines New Star Award in 1946; the Down Beat magazine Readers Polls from 1948 to 1952; and the Metronome magazine award as Top Male Vocalist from 1949 to 1954. In 1944, Eckstine formed his own big band,[4] and it became the finishing school for adventurous young musicians who would shape the future of jazz including Charlie Parker, Dizzy Gillespie, Dexter Gordon, Gene Ammons, Miles Davis, Art Blakey, Ceceil Payne, Fats Navarro, Lucky Thompson, John Malachi, Sarah Vaughan, Pearl Bailey, and Lena Horne. Eckstine made numerous appearances on television variety shows, including on The Ed Sullivan Show, The Nat King Cole Show, The Tonight Show with Steve Allen, Jack Paar, and Johnny Carson, The Merv Griffin Show, The Art Linkletter Show, The Joey Bishop Show, The Dean Martin Show, The Flip Wilson Show, and Playboy After Dark. Does shopping on Etsy help support small businesses? Original Price $12.94 William Clarence Eckstine (July 8, 1914 - March 8, 1993) was an American jazz and pop singer and a bandleader during the swing era. Thank you for fulfilling this photo request. Shop now. We pay tribute to the life and music of Billy Eckstine this week on Afterglow, in celebration of the singer's centennial. On one occasion in his solo career, he was in competition with another male fashion plate, Duke Ellington. His sartorial stylewith a loose tie and wide collarwas copied throughout the country. . Judy Garland - Get Happy [02:48] 03. He had also planned on a football career, though after breaking his collar bone, he made music his focus. He wanted to be a football player but, after breaking his collar bone, and later winning $10 in an amateur singing contest at the Howard Theatre in Washington, DC, he instead chose music. Omissions? The New York Times described him as an . Later moving to Washington, D.C., Eckstine began singing at the age of seven and entered many amateur talent shows. 'I'm gonna whip your ass across the tracks and back under again.' Singer, Actor. He recorded more than a dozen hits during the late '40s, including "My Foolish Heart" and "I Apologize." Jo Stafford - No Other Love [02:59] 04. Billy Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big band, then as the first romantic Black male in popular music. Try again later. Later, he won an amateur competition by singing Stardust at the Howard Theatre in Washington, D.C. For a time, he worked as a singing waiter at the Fort Pitt Hotel in Downtown Pittsburgh. Flowers added to the memorial appear on the bottom of the memorial or here on the Flowers tab. [citation needed], Eckstine was the subject of a three-page profile in the April 25, 1950 issue of Life magazine, in which the photographer Martha Holmes accompanied Eckstine and his entourage during a week in New York City. His mother, Charlotte, was a seamstress and his father, William, was a chauffeur. Eckstine signed with MGM records and began singing ballads. This very phenomenon ended up causing a backlash for Eckstine, after a photo appeared in a 1950 issue of Life which showed a number of white female fans clustered around the singer, one of them clinging to his chest. Billy Eckstine was an African-American singer who reshaped the boundaries of jazz, bebop, and ballad singing. His friend Duke Ellington recalled Eckstines artistry in his 1973 autobiography Music is My Mistress: Eckstine-style love songs opened new lines of communication for the man in the man-woman merry-go-round, and blues a la B were the essence of cool. Read Billy Eckstine's bio and find out more about Billy Eckstine's songs, albums, and chart history. He was our singer. Signing with MGM, he rose to superstar status, sold millions of records, marketed his own line of "Mr. Signing with MGM, he rose to superstar status, sold millions of records, marketed his own line of "Mr. B." shirt collars, and inspired an army of female admirers, known as "Billy-soxers." Eckstine fought all his life for recognition and respect in his quest to become America's first black romantic singing idol, but he faced hardships in the . Please check your email and click on the link to activate your account. His last hit was "Passing Strangers", a duet with Sarah Vaughan released in 1957. [4], His 1950 appearance at the Paramount Theatre in New York City, drew a larger audience than Frank Sinatra at his Paramount performance. He drew record-breaking crowds in New York and Los Angeles. "[24], For the Canadian pianist and composer, see. Billy Eckstine. He influences fashion; long "Mr. B" collars are all the rage. Billy Eckstine (born July 1, 1914-died March 8, 1993) made a guest appearance on Sanfrord and Son as a nightclub singer hopeful in the Season 4 episode titled The Stand-In. [3] It was released under the EmArcy label. [16], In 1951, Eckstine performed at the seventh Cavalcade of Jazz concert held on July 8 at Wrigley Field in Los Angeles, produced by Leon Hefflin, Sr. Also featured were Lionel Hampton and his Revue, Percy Mayfield, Jimmy Witherspoon, Joe Liggins and The Honeydrippers and Roy Brown. Despite the group's modernist slant, Eckstine hit the charts often during the mid-'40s, with Top Ten entries including "A Cottage for Sale" and "Prisoner of Love." SoundCloud Billy Eckstine. In 2020 alone, purchases on Etsy generated nearly $4 billion in income for small businesses. After forming his own big band that year, he hired all three and gradually recruited still more modernist figures and future stars: Wardell Gray, Dexter Gordon, Miles Davis, Kenny Dorham, Fats Navarro, and Art Blakey, as well as arrangers Tadd Dameron and Gil Fuller. He had also planned on a football career, though after breaking his collar bone, he made music his focus. Mr. B is often considered a ground breaker for black vocalists. Learn about Billy Eckstine on Apple TV. While every effort has been made to follow citation style rules, there may be some discrepancies. B." Let us know if you have suggestions to improve this article (requires login). He was one of the very first African American matinee idols, singing first with Earl Fatha Hines orchestra, then veering off with his own band. Eckstine died on March 8, 1993, aged 78. Find top songs and albums by Billy Eckstine, including Zing! In 1939, he sought his musical fortune in Chicago. This is the third release for McBride's big band; the band received Grammy Awards for its first two albums: The Good Feeling (2011) and Bringin' It (2017). Though he was forced to give up the band in 1947 (Gillespie formed his own bop big band that same year), Eckstine made the transition to string-filled balladry with ease. [7] After high school, he moved to Washington, D.C. where he attended Armstrong High School, St. Paul Normal and Industrial School, and Howard University. Although Eckstine continued to enjoy some commercial renown, the negative reaction that ensued showed that America was nowhere near ready for a popular black male singer whose appeal crossed racial lines. Always stylishly dressed, he wore narrow ties, loose-fitting suits and a signature curved shirt collar favored by hipsters and gangsters. Regardless of the group's modernist slant, Eckstine strike the charts frequently during the middle-'40s, with TOP entries including "A Cottage on the market" and . The band included the greatest stars in the new jazz movement of the time - Dizzy Gillespie (who was its musical director), Charlie Parker and Sarah Vaughan - and it provided a platform on which the new music, bebop, could be developed. Under Add your personalization, the text box will tell you what the seller needs to know. Passing Strangers Sarah Vaughan & Billy Eckstine. His style and technique have been extensively copied by some of the neocommercial singers, but despite their efforts, he remains out front to show how and what should have been done. He toured with pianist George Shearing and loved to play golf, shooting in the low eighties. After disbanding his group, Eckstine embarks on a solo vocal career, becoming one of the post-WWII era's biggest stars, reeling off hit after hit and attracting huge, enthusiastic integrated audiences. I wanted to dress like him, talk like him, pattern my whole life as a musician and as a complete person in the image of dignity that he projected. He performed "The Star-Spangled Banner" prior to Game 4 of the 1979 World Series at Three Rivers Stadium in his native Pittsburgh. On the group's frequent European and American tours, Eckstine also played trumpet, valve trombone, and guitar. The working description is Clerical/White Collar. Billy Eckstine's income source is mostly from being a successful Soundtrack. He appeared in several musicals for MGM in the late 1940's and early 1950's. "I hate blues," Eckstine once told Metronome Magazine. After an ill-advised stint at RCA in the mid-1950s, where Eckstine, like many other vocalists of the big-band era, was forced to deal with the advent of rock n roll, resulting in a truly unfortunate single titled "Condemned For Life With a Rock n Roll Wife," the singer returned to more jazz-friendly settings with his 1958 album Imagination, and the recordings he made for the Roulette label, which can be heard extensively on the Afterglow program Billy Eckstine: The Roulette Years. The next year, he joined Earl Fatha Hiness band, sharing vocals with Sarah Vaughan and working with alto sax player Charlie Parker and Dizzie Gillespie. B. Collar. In addition to looking cool, the collar could expand and contract without popping open, which allowed his neck to swell while playing his horns..The collars were worn by many a hipster in the late 1940s and early 1950s. Doris Day - Enjoy Learnmore, Indiana Public Media is the home of WFIU Public Radio WTIU Public Television, including your favorite programming from NPR and PBS. Dizzy Gillespie, in reflecting on the band in his 1979 autobiography To Be or Not to Bop places it in perspective: There was no band that sounded like Billy Eckstines. The band featured at various times a large number of rising jazz stars, including:Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform.Billy Eckstine (8 July 1914 8 March 1993), born in Pittsburgh, Pennsylvania, USA as William Clarence Eckstein. William Clarence "Billy" Eckstine (vocalist / bandleader) was born on July 8, 1914 in Pittsburgh, Pennsylvannia and passed away on March 8, 1993 in Pittsburg at the age of 78. Find Billy Eckstine phone, address, facebook, insatgram, twitter and email on OurBiography, the leading online directory. 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